The Cee-Lo Green Mix - Mixed by DJ Dmadness
Dmadness' description of the mix below.
Cee-Lo Green is one of the greatest, most soulful artists of my generation. He is sonically and vocally fearless, his sound is vast, and his writing is revelatory.
More than a tribute, my goal was to create a definitive Cee-Lo mix, drawing from the catalogs of Goodie MOb, OutKast, Gnarls Barkley, his solo albums, his collaborative work, and of course rare remixes, b-sides, soundtrack joints, 12"s and more. Aside from the entire Organized Noize/Dungeon Family there are records with Pharrell, Common, Estelle, Kelis, Jack Splash, Da Ranjahs, Eightball & MJG as well as productions from Kanye West, Timbaland, Menahan Street Band, DJ Premier and more.
I again enlisted Oakland artist Jidan Koon to create the visuals, and again she came through extra large, painting a vibrant, psychedelic watercolor worthy of the music.
80mins/44 tracks of Green magic, enjoy..
1 Blackberry Molasses
2 Gettin' Grown
3 In Due Time
4 Thought Process
5 Reset
6 Insp Her Ation
7 Right Now
8 Soul Food (Live Remix)
9 Let's Stay Together
10 All Day Love Affair
11 Blood
12 Die Trying
13 G.O.D. (Gaining One's Definition)
14 Backyard Mississippi
15 Whoa Now
16 Free
17 Git Up, Git Out
18 Beautiful Skin/The Experience
19 Crooked Therapy/Cell Therapy
20 Liberation
21 Slum Beautiful
22 Fly Away
23 Soul Machine
24 Who Cares?
25 Watch for the Hook
26 Southern Man by Merry Clayton
27 Rebuilding
28 I'll Be Around
29 The One
30 Get Rich to This
31 Trans DF Express
32 Black Ice (Goodie Version)
33 Dirty South Remix
34 I Want You
35 Follow the Light
36 Crazy (D's Blend)
37 Living Again
38 Pretty Please (Love Me)
39 Lil Star
40 You Don't Shock Me Anymore
41 Closet Freak
42 Ophidiophobia
43 Bass Head Jazz
44 Georgia
DJ JS-1 Live at APT, NYC
The video quality is god awful, but the audio quality and musical content is superb.
DJ Revolution and Crazy Toones Part 3
Crazy Toones Part 3 "Serato lesson" from The Cut on Vimeo.
In Part 3 of Revolution's interview with Crazy Toones, Rev gives Crazy Toones a Serato 101 lesson. Crazy Toones' face when he sees that Serato allows deejays to loop on beat without much skill is absolutely priceless.
James Brown Mix Part 1 - Mixed by DJ Scratch
I almost forgot to post a JB tribute mix. Here's the official "Master of the Mix" mixing the godfather of all things soulful.
XMAS Reggae Mix - Mixed by Impala Sound
A day late, but a nice cool-out mix as we all come down from the Christmas madness.
2 Sessioni Fuori, Una in Casa e Qualcosa da Chiederti... - Mixed by Biga
Is it possible to love and hate Christmas at the same time? I have so many wonderful memories associated with Christmas. At the same time, I f*cking hate driving around from house to house when all I want to do is be at home alone with my records and wifey. In any event, this is a dope mix of psychedelic rock records from around the world.Courtesy Ragnampiza
Mochilla: 10 Year Anniversary Part 2 - Mixed by Coleman
The Sounds of VTech / Mochilla 10 Part 2 
The response to the first part of this mix has been incredible. Thank you for all the support and retweeting, reposting. Mochilla loves the love. Part two here today for download is stepping the game up and to quote Coleman “I wanted this mix to slap everyone in the face and get them to pay attention.” It is purely rhetorical of course, our version of a slap in the face is the caress of bossa nova, the thump of cumbia or the heart stopping wind sucking gaps of great syncopation. This mix has all of that.
Remember of course these are 20 minute teasers for the full mixes coming in 2011.
Just a quick note on the photo that we used on the cover – I snapped this one at the great “La Marcha” way back in 2001. It was taken in the Zocalo in Mexico City and Maldita Vecindad were performing in solidarity with the EZLN. The kid on his friends shoulders with the El Che shirt embodies all that we wanted Mochilla to be way back in 01 – engaged, excited, energetic and happy. Our brother and design guru Keith Tamashiro flipped it into our first logo and Stephen Serato has reflipped it into our 10 year mix cover.
This will warm your ears, brighten your heart and remind you of the strength of good music, download, hit play and you know – turn it up…
Thanks for all your support and happy holidays,
B+
Shrine To The Funky Drummer
Shrine to the Funky Drummer (Aspect edit) from Joshua Pablo Rosenstock on Vimeo.
Joshua Pablo Rosenstock creates a weird,but still very cool, experimental film that he calls Shrine To The Funky Drummer. The short film documents the different aspects of James Brown’s classic drum break through personal interpretations of the break to its use in deejaying, crate diggin', and production culture. Rosenstock cuts a series of video clips featuring notables such as Rob Swift, Q-Bert, Grandmaster Flash, Marley Marl, Pete Rock, Prince Paul, Diamond, Public Enemy, Kool G Rap, Biz Markie, LL Cool J, and more. Gets real interesting around the 3:30 mark. A video that only a deejay would understand and enjoy.
DJ Revolution Interviews Crazy Toones Part 2
Crazy Toones Part 2 from The Cut on Vimeo.
Here, Crazy Toones explains Ice Cube's resistance to allowing him to use Serato in their live show. "Fuck that! What if the internet don't work." - Ice Cube
Love Break 3 - Mixed by Cosmo Baker
I have to say that I've been posting some serious heat the last few weeks. Now, I mean that more as a compliment to the deejays than as a compliment to the blog. But, I'll take a compliment whenever and from wherever I can (even if it's from myself).
Fascinating Rhythms - Mixed by Gaff
All sort of funky joints here. Afro funk, Latin, Swing, posted for those of you looking for "exotic" mixes.
Earl Palmer Tribute
Maybe the most recorded drummer of all time. Earl Palmer passed away on September 19th at the grand age of 84, a legend moved on. He fueled so many great hits its hard to know where to start. Earl Palmer was from The Black Vaudeville era. He came from New Orleans and through his tap dancing he learnt to play trap drums. This self taught drumming defined Rock n Roll rhythm. His hits with Little Richard and Fats Domino engraved the swamp beat as David Axelrod has called it into the American psyche. The music Earl made with Axelrod became the raw materials of mid nineties hiphop. That is how we met Earl, first on the video for Midnight in a Perfect World for DJ Shadow and then later as part of our documentary Keepintime.
As part of the funeral service his family wanted to make a slide show to illustrate his incredible and diverse life. In fourteen insane hours B+, Coleman and brilliant editor Luke Lynch put this together. Thanks to the Palmer family for letting us share it with you. Earl we love you, we will miss you but we feel assured that the party just got better in Heaven.
Waxpoetics: Amir's Top 10 Albums of 2010
For those of you looking for quality music released in the last year, I suggest checking the below link. Also feel free leave your own recommended albums in the comments section because I've been sleeping on many of the latest releases.Amir's Top Ten of 2010
Classic Material Edition #3 (1989) - Mixed by Chris Read
Description of mix below.
Edition #3 of our monthly Classic Material series pays tribute to the hip hop of 1989, another year in which the genre's dominant sounds changed drastically. As the James Brown influenced sound that had dominated the late 80s played out its final days, producers from all corners of the genre turned their attentions to sampling the bass heavy West Coast sound of Parliament, Funkadelic and Zapp. Acts such as De La Soul and the Jungle Brothers burst on to the scene injecting a light hearted honesty into their lyrical content which paved the way for the emerging 'new school' sound of the early 90s. Early releases from the likes of X Clan hinted at the 'afrocentric' sound that would come to prominence in the following years.
As with previous editions, our mix places classic cuts alongside the lesser heard. The CD version includes a megamix of 30 classic cuts from 1989 and a Chris Read Remix of a classic 1989 cut.
Classic Material #3 (1989) - Mixed by Chris Read (download)
Roy Ayers - Mixed by DJ Flash Gordon Parks
Description of mix below.Roy Ayers can be compared to no one. Ayers is his own type of vibration. If you’ve ever heard him and really listened then you know, but if you haven’t, let me tell you how it’s so. As a listener one must meet Ayers at his level which can sometimes be meditatively mellow jazz or intensely funky disco. More than just an empty eargasm, it’s the kind of music that stays the night for the rest of your life, holds your hand through tough times and incites you to grow. One can sense from Ayers that his music comes from an overflow of good vibrations he’s allowed to let show and share with the world. Thank you, Roy Ayers, for so many musical pearls!
Roy Ayers Tracklist
1. We Live In Brooklyn
2. Pretty Brown Skin
3. Red Black & Green
4. Giving Love
5. Show Us A Feeling
6. Everytime I See You
7. Love Fantasy
8. The Boogie Back
9. Life Is Just A Moment Part 1
10. Running Away
11. Heat Of The Beat
12. Don’t Stop That Feeling
13. Fire Up The Funk
14. I Wanna Feel It (I Wanna Dance)
15. Everybody
16. Searching
17. Ooh
18. Slow Motion
19. Love Is Love
20. Everybody Loves The Sunshine
21 Question with DJ Premier
Biggie, Jay-Z, or Nas? Deejaying or producing? Marley or Hendrix? Sp or MP? Watch and see.
Rane v. Vestax, Pete Rock v. Dr. Dre, Krs-1 v. Rakim, watch... Plus, watch Premier show quite a bit of passion in his critical defense of the Ownerz album
DJ Revolution Interviews Crazy Toones
Crazy Toones Part 1 from The Cut on Vimeo.
While many of you living on the east may have been first exposed to deejays through legends like Kid Capri, Doo Wop, etc... Born and raised in Southern California, the first deejays I ever knew existed were names like Crazy Toones, Dr. Dre, Aladdin, DJ Pooh.
The Land of Milk and Honey with James Brown - Mixed by Cosmo Baker
It's been a while since I last heard something new from Cosmo, so long that I almost forgot how nice he is behind the wheels.
Mornin Yawnin - Mixed by DJ Dmadness
Perfect mix to start the new week.Mornin' Yawnin' by DJ Dmadness by dmadness
01 Quiet Storm by Smokey Robinson
02 I Think I'll Call It Morning by Gil Scott-Heron
03 Wake Up Everybody by John Legend & The Roots f/ Common & Melanie Fiona
04 Yesterday & Today by Murs & 9th Wonder
05 Tomorrow by Murs
06 Get Up (Bei-Ru Remix) by Amel Larrieux
07 Soon The New Day by Talib Kweli f/ Norah Jones
08 Good Morning by Kanye West
09 Breakfast by Curren$y
10 Accept The New by Theophilus London
11 Beautiful Morning by Little Brother
12 A New Day by Sizzla Kalonji & Diana Rutherford
13 Ethiopia Awakes by Turbulence
14 Good Morning by Nas
15 New Day by Noble Society
16 Trodding On by Midnite
17 January Morning by Jah Cure
18 As I Rise by Tony Curtis
19 California Sunday Morning by Cocoa Tea
20 Trouble Sleep Yanga Wake Am by Fela Anikulapo Kuti
21 Africa Must Wake Up by Nas & Damian Jr. Gong Marley f/ K'naan
22 Good Morning by John Legend
23 Gotta Get Up (Another Day) by 4Hero f/ Jill Scott
24 Sunday Morning by K-Os
25 Good Morning by Sizzla
26 Wake Up In Another Life by Nicolay f/ Carlitta Durand
Pete Rock Talks About His Favorite Beats
Pete Rock discusses his favorite Pete Rock beats and role of "golden age" artist in today's music scene.
Pete Rock ont he SP-1200
I'm pretty sure this is an outtake from the Soul Survivor documentary. Watch and see Pete work that SP
A Decade of Mochilla (Part 1) - Mixed by Coleman
The Sounds of VTech / A Decade of Mochilla Part 1
VTech is proud to present, A Decade of Mochilla, an epic mixtape, spanning Mochilla’s 10 Years Mixed into one mixtape and shared with you in two parts. This is Part One…
Mochilla is really more than ten years old. It was 1998 when Coleman and I explained to our Mexican producer on the set of the Control Machete video for Ileso that we would only shoot with the equipment that fit in our backpack. It was a Jansport (for clarity!). He replied… “Oh ok, you guys are the Mochila guys, Mochileros”. Of course we loved the word mochilla (the Spanish for backpack) but apparently didn’t know how to spell it thus the two Ls!
In 2001 we released our first project commercially under that name. Keepintime was a photo-essay that under the tutelage of Adam Glickman at Tokion became a short film. He initially thought of it as a piece to put on that new thing – the internet. But when it ended up being 12 minutes long we decided it was too long so we made a VHS to sell – we pressed up a thousand and they flew out the door.
Keepintime: Talking Drums and Whispering Vinyl became a Film Festival favorite and then the calls started. In the ten years since then Mochilla has grown. We have an office now and a micro staff of dedicated, talented people. We have travelled the world, made films about all kinds of music, crossed all kinds of boundaries, worked with people from 5 to 95 years of age and we are having a lot of fun the process. Along the way we have made an archive of photos, videos and audio. It is filled with glorious performances, tough breaks, ambitious harmonies and a lot of soul. Early in 2011 we will be releasing a two CD Mix of these performances – one live and one live in studio.
As a seasonal gift to our friends at VTech we have decided to sneak you this first 20 minutes of the first volume. This is truly only a sneak peak in to the vast musical vaults of Mochilla. Coleman has sat thru many hours of music, digging in and around multi-tracks of kicks, snares and scratches. It is almost unfair to try to capsulate all of this wonderful music into 2 CDs, but he did. Next week we will have another 20 minutes from the second CD – the studio one.
There’s a lot of memories here. A lot of magic.
Download, enjoy and you know – turn it up!
B+ December 2010
Steve1der Interview and Mix (Reggae Chops & Apple Sauce)
DJ Steve1der part 2 from The Cut on Vimeo.
For those of you who enjoyed Steve1der's video mix from last week, you will really enjoy the above interview and below mix. In the above video, Revolution asks many of the same questions I had last week in regards to the prep work involved in Steve1der's video mixing. I've got to say, Revolution seems pretty damn comfortable in that interview chair. I know many of you get disappointed if I go a couple of days without posting a new mix. So in exchange for all of your willingness to share and post my Mercury Kush mix all over the web, I've included the below Steve1der mix for your listening pleasure.
Reggae Chops & Apple Sauce (Dj Danny Diggz, Dj Riz, Steve1der) by DJ STEVE1DER
Branford Marsalis Interview
Branford Marsalis discusses his relationship with both Guru and Premier.
DJ King Otto's Record Collection & Studio
Thank you for all the complimentary comments regarding the Mercury Kush mix. Hope the below video inspires you.
DJ King Otto on record collecting. from Manos de Mono on Vimeo.
Mercury Kush - Pipomixes
The Kush series is back in full effect! In fact, I've got two other mixes in the pipeline that will also be additions to the Kush series. The concept behind this mix dates back a few years to when I was reading Brian Coleman's Check the Technique book. In the linear notes of all our favorite classic hip hop albums, I remember being surprised to read how Dr. Dre's production on Straight Outta Compton heavily influenced Q-Tip's production on Low End Theory. In turn, Dre also explained that hearing Low End Theory forced him to one-up Q-Tip's production on The Chronic. A few years later, I also remember reading an article in Wax Poetics about how heavily influenced Dr. Dre was by the production of The Bomb Squad, and vice versa. All of that got me to thinking that the It Takes a Nation..., The Chronic, and The Low End Theory albums were all game changers in terms of the hip hop production landscape. Then I started thinking about what recent album really served to change the production landscape, when I concluded that the album had to be none other than Dilla's Donuts. Though all four albums have a very different sound, I was amazed how well the four album blended together.
As many of you know, the whole idea of the Kush series is a takeoff from Dre's Chronic album. During the recording of The Chronic, "chronic" became a term in the studio that was synonymous with some "next level" ish. Borrowing from that train of thought, I created the Kush series for mixes that sound a little "different." In the spirit of the "kush," I concluded that mixing together four albums that altered the production paradigm would be an appropriate return to the Kush series. Originally, the mix was going to be titled It Takes the Chronic and Low End Donuts to Hold Us Back, but I decided that Mercury Kush was better. Hope you all enjoy the mix.
Click here, for more information about Mercury Kush.
The Visualz - Mixed by DJ Ian Head
Below is Ian Head's linear notes of the mix.All Natural - "50 Years (Instrumental)"
I forget where I first heard this, but the piano loop was instantly like, whoa. Incredible. Having been listening to lots of masterful Primo piano-chopping, it was nice to hear a drawn-out, full loop - some vintage Ramsey Lewis, although I didn't know it at the time. All Natural just kind of appeared, and I remember buying their first CD (which came with a cd-sized "book") at Other Music. The cover art, featuring the duo seated in a Chicago coffee shop (or health food store?) looking up at the camera - it was a beautiful, simple cover. I'm a big Capital D fan - another song off here, "It's Ok," is one of my all-time favorites - but this beat is what put me onto the group. Beautiful.
DJ Spinna - Compositions Instrumental
Before heading to New York, my man Jumbo put me onto Spinna. This was in 95 or 96, and we were chillin in the Lincoln High School cafeteria listening to beats. I was asking him what producers he was checking for, and J was like "Yo, you gotta check for this cat DJ Spinna, his stuff is wild right now." Lo and behold, on one of my first trips to Fat Beats, there was a DJ Spinna record in the crate titled simply "Compositions." Instant pick-up.
DJ Honda ft. Common "Interlude"
So a lot of these records on this mix remind me of classic stores I used to frequent in New York. This is the first record I bought at Fat Beats. I'm not sure why I was attracted to it, but I vaguely remember feeling I needed to cop something, and I didn't really know any of the many underground artists lining the walls, so I grabbed this Honda record that had a bunch of well-known acts on it. This opening Common cut was pretty solid - short and sweet, probably my favorite off the vinyl. When I found the Milt Jackson record it sampled, I remember always playing the two together whenever I had a chance - radio shows, mixtapes, etc. Just some real classic 90s hip-hop feel.
DJ Shadow "What Your Soul Looks Like"
The story goes like this. I woke up at 6am in an apartment owned by Peter Gabriel’s daughter in the West Village in the fall of 1996. I had fallen asleep on the living room floor while watching “Drunken Master II.” I woke up a friend of mine who was asleep on the couch, and we wandered out into the streets in search of DJ Shadow’s new import-only album “Entroducing,” which had just been released the day before. Half-awake, we stumbled into a diner for pancakes and realized that it was 7am and record stores don’t usually open until at least 11. Not to mention we weren’t exactly sure where all the record stores were, and this was before iPhones and Google. So we wandered the village looking, waiting for places to open, watching the city slowly awaken. But once the stores did open their doors, most didn’t have the album, let alone knew who DJ Shadow was. Someone at Fat Beats told us “We only sell hip-hop here.” Finally, dead tired, we found ourselves in DANCE TRACKS, its giant purple and black sign a beacon that has since disappeared from the East Village. And there it was, just in – I remember putting a copy of the vinyl on the listening booth turntable. “Entroducing” will always remind me of fall weather, New York City, and 1996. It’s hard to choose one joint to play off here but this is a great one, with that simple but deep Heath Bros saxophone loop.
Abstract Tribe Unique "Them Thats Got"
The one New York store in the 90s you could count on usually having some of the more obscure West Coast hip-hop was Other Music, which is still in existence long after it’s giant neighbor, Tower Records, has vanished. I used to scour its bins for LA and Bay-area rap that Fat Beats didn’t carry. This was one of my favorite finds – on pink and blue marble vinyl too. Love Ab Rude covering Billie Holiday.
Siah and Yeshua Dapo ED "The Visualz"
Bobbito’s Fondle ‘Em record label’s first seven or eight releases are certified classics. One of the best underground records of the 90s, this EP was incredibly refreshing from start to finish. It reminds me of visiting Bobbito’s Footwork store, where he’d have all the Fondle ‘Em releases on one wall together near his selection of custom-made classic t-shirts. Often he’d be in the store, dancing to James Brown or talking about sneakers. Anyway – this song is great.
DJ Premier / Jeru "Me or the Papes (Instrumental)"
I almost put the b-side “Me, Not the Paper” on here but this felt better in the mix. Dope twelve-inch from not just my favorite Jeru album, but one of Primo’s best as well. Reminds me also of Premier’s classic mixtapes of the era. P-P-P-P-Premier. P-P-Premier.
Natural Resource "Negro League"
Is this the greatest independent hip-hop 12” of the 90s? Is What What (now Jean Grae) still one of the most underrated emcees ever? What happened to the Makin Records label? How fresh was the simple label artwork on this piece of vinyl? What about that classic Cannonball Adderley bonus beat?
Prince Paul "If 9 was 6"
Before finding it on wax, I originally had this song on the CD version of a Bill Laswell compilation “Altered Beats” that I bought at the now vanished Virgin megastore up in Times Square. It was a pretty dope comp of instrumental, downtempo beats and cuts, with everyone from DJ Krush to Paul to Rob Swift. It was hard to decide what to put on this mix, but I felt I needed to drop something from Paul here. His beats just have so much feeling even when he’s being humorous or strange.
High and Mighty "Hands on Experience (Instrumental)"
A goofy Stretch and Bob classic, I remember hearing it on their show and laughing out loud. As tempting as it was to play the vocal version, I felt like it might be a little jarring to the mood of this mix, so I just played the instrumental. Plus Might Mi had some great beats.
Automator / Dr. Octagon "Moosebumps"
Several songs on the Octagon album got a lot of play but beyond Keith’s craziness, it was Automator’s sick sample selection and hard drums that really drove the album and made it the cult classic it is now. This was one of those interludes that just grabbed you when you heard it, with the recognizable strings sample.
Automator "The Truth"
I played the other half of this track on my December 2007 mixtape. Hard drums. Jazz samples. Biz Markie. This track used to stay on loop. I remember I ordered the CD through the mail after looking up what else Automator had done.
The Roots "One Shine"
By the mid-90s, most people were buying CDs but I was still buying tapes, since I still used a Walkman. Plus tapes were just classic. So rather than buying “Illadelph Halflife” on wax or CD, I copped the cassette. And it stayed in the deck again and again. By far my favorite Roots album, it’s funny that this “One Shine” song mentions the sun, since I associate this whole album with walking around city streets at night, or looking out the window of the Metro North at the city late at night. A really soulful track, had to end things here.
The Visualz - Mixed by DJ Ian Head (right click, "save as" to download)
Courtesy EverydayBeats
I Want to See Your Studio Setup!
Most of you who frequent this blog are deejays and producers. As many of you know, I find quite a bit of inspiration from seeing the bedroom studios of professionals and amateurs alike. So I encourage all of you to submit videos/pictures of your studio to be shared on this blog so that our little community here can find inspiration from your corner of creativity and refuge. Feel free to provide any personal information about you that you feel comfortable sharing (where you live, sources of inspiration, favorite deejays/producers, favorite albums, etc...). Send your video links/pictures to pipomixes@yahoo.com. I am even going to give a little prize to the most inspiring home studio (a mix from pipo's secret stash, free t-shirt, or something along those lines)
The video below gives you a quick glimpse of my home studio setup in my new place. It's not completely finished, but it's finished enough to show a quick glimpse. Also, before you all start complaining about the thinness of my record collection, keep in mind that half of my collection is still at my parent's house from when my old studio was restructured.
The video below gives you a quick glimpse of my home studio setup in my new place. It's not completely finished, but it's finished enough to show a quick glimpse. Also, before you all start complaining about the thinness of my record collection, keep in mind that half of my collection is still at my parent's house from when my old studio was restructured.
No More Blogspot, Dot.Com will Due
For all of you who are on the lazier side, I finally figured out how to transfer the blog over to pipomixes.com. Pipomixes.com is now up and running, the old .blogspot domain works fine as well, but I just wanted to make it official that pipomixes.com is now the place to be for all your mixtape fun.
MF Doomed - Mixed by Pipomixes
I figured I'd re-post one of my own this week. To date, this is my most downloaded mix. This mix was used by Lex Records (without my knowledge) to promote Doom's last album. I even had someone send me a link to somebody on ebay who was trying to sell the mix. I'm not sure if anybody actually bought a mix they could have just downloaded for free, but I took it all as a compliment. Below is my original description of the mix.A few months back I went through Doom's entire catalog of material while flying across the country. After listening to Doom 24/7 for a good two weeks, I could just hear this mix coming together without ever laying hands on a turntable. This is what I ended-up mixing once I returned home and got back on my tables. Thank you to those of you who hooked me up with a couple of instrumentals that were essential to the making of this mix. Like all of my mixes, a lot of time, thought, and energy went into crafting this effort. I hope you all enjoy the mix as much as I enjoyed making it.
MF Doomed by pipomixes
On a Quest with the Tribe - Mixed by Digumsmak
Digumsmak is no joke. Not many deejays out there can say that they've received the coveted "highly recommended" label two times, but my man Digumsmak can now put himself in this exclusive club. Your "highly recommended" members only jacket is in the mail.On a Quest with the Tribe - Mixed by Digumsmak (download)
The Cut Feat. DJ Steve1der
Wow! What is there to say about this video other than it's the kind of video I've always wanted to make. Just getting the footage of Revolution's home studio is enough for me, but seeing Steve1der perform a video mix that takes this artform to another level is straight hip hop overload. The only shortcoming I see with video mixing is that you are limited to music with videos. Other than that, I have now seen the future.
DJ Steve1der part 1 from The Cut on Vimeo.
Subscribe to:
Posts (Atom)