The 80's mix has been done a few times over, but in true Beat Junkie fashion, Curse covers some new territory here. As you might expect, the mixing is smoother than George Clooney at a super-model convention. Enjoy.
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Edition#10 of our monthly Classic Material series pays tribute to the hip hop of 1996, a year which marks a turning point for the genre with a divide growing between the popular RnB influenced sound and the underground 'independent' sound blossoming in reaction to it. Whilst many established artists including De La Soul openly attacked the emerging commercial sound of the day, artists such as Busta Rhymes managed to retain underground credibility and deliver more chart friendly offerings for major labels.
Notable album releases include the Fugees' commercially succesful yet credible 'The Score', Tribe Called Quest's Ummah produced 4th album, 'Beats Rhymes and Life', Jay Z's 'Reasonable Doubt' and Jeru's 'Wrath of the Math' in stark contrast to it. Debut releases from Kool Keith alias Dr Octagon and newcomers Company Flow set the tone for a new breed of leftfield acts.
Not to my surprise, Jake One's taste is very diverse even while sticking to just hip hop flips. Read more here.
This is something I've been meaning to do for a while - a mix of breaks and bits from children's records. No track list I'm afraid but it includes records sampled by De La Soul, MF Doom, Ultramagnetic MCs, Eric B and Rakim, Beatnuts, Prince Paul, DJ Shadow and some others.
I don't really know if this works or if it's unlistenable toot - let me know what you think.
Just trust me on this one. Digumsmak knows how to put together a mix. If you don't know, now you know.
FLuD Presents: Beats Per Minute with with DJ Nu Mark from FLuD Watches on Vimeo.
FLuD Presents: Beats Per Minute with Showbiz from FLuD Watches on Vimeo.
FLüD Presents: Beats Per Minute with Lord Finesse from FLuD Watches on Vimeo.
A mix of original soul, funk and jazz vinyl that has been sampled by major Hip Hop artists with a few doubles, scratches and samples.
- includes Diamond D telling it how it is! ...
TRACKLIST
1: Bernard Herrman: Psycho OST
2: John Kasandra: Down Home Ups
3: Bob James: Shamboozie
4: Detroit Emeralds: You're Gettin a Little Too Smart
5: Idris Muhammed: Crab Apple
6: The Tramps: Rubberband
7: The Meters: Oh Calcutta!
8: You will have to find this record yourself!
9: Barry White: I Wanna Stay
10: Treacherous Three: Body Rock
11: Leon Haywood: I Wanna Do Something Freaky To You
12: Earth Wind & Fire: On Your Face
13: Jean Carn: Don't Let It Go To Your Head
14: Unlimited Touch: I Hear Music In The Streets
15: Gwen McCrae: I've Got Nothing To Lose But The Blues
16: The Defelice Trio: There Was a Time
As always respect due to the original artists. Enjoy
"We all got love for each other," he says. "I love Dre like my fucking family."
Dre appears to feel the same way. One night in the studio a couple of weeks ago, he took a break from playing his new beats to put on a Beethoven symphony. As it played, Dre noted that the composer had created the work after he had gone deaf.
"And he drilled the point into my head — that most of Beethoven's greatest compositions were created after he lost his hearing," D.O.C. says. "I got the message."
I ate an incredible nectarine today while walking back home in the sun, after spending a couple hours catching up with a good friend. It was one of those mid-summer mornings where it's important to get out of the house, but not to do it in a rush. I got an extra hour of sleep, and drank a cup of fresh coffee, reminisced with another friend from college, then laced up the sneakers and rolled out the house.
Maybe I should call this tape "one summer morning," except the afternoon of putting it together plays into it as well. Kind of a contemplative little piece, something I hadn't planned on doing - there was a stack of records mostly ready to go for a different tape completely, but when I tried to mix them this afternoon it didn't feel right.
So, I pulled a new stack and started from scratch.
It's just a few tunes, more selection than mixing, and hopefully the vibe comes through. I appreciate that I am able to take a moment and chill for a second, take in some sun, eat some good food, kick it with some good people. And bump a few records.
On the DJ scene today, everybody with a computer can call themselves a DJ, but when I began it was really about loving the music and being knowledgeable about it. I think part of our role is not only to bring people new music and stretch their minds, but to be archivists and historians of what today's music is based on. I think this is especially true of reggae and Jamaican music which is still foreign to many Americans, despite the incredible influence on American music. Keeping those great old songs and talents alive despite our disposable consumerist society is hugely important to me, and may be my biggest strength as a DJ. History has value, and these were the tunes and riddims that got me into dancehall years and years ago. They withstand the test of time, even though you may not hear them as ringtones at the mall in 2011!
Here is a piece of the history of dancehall music that I have preserved (and enjoyed). As always, it's arranged by riddim so that you can navigate it pretty easily and learn quite a bit in doing so, if you're so inclined. Of course, it might also just take on a trip down memory lane, as "old time something come back again!"
See http://reggaedelgado.blogspot.com/2011/07/fire-vol-8.html for a complete track listing!